In the 1950s, the Rorschach inkblot test was “as closely identified with the clinical psychologist as the stethoscope is with the physician.” Since their publication in Psychodiagnostics, in 1921, Hermann Rorschach’s ten inkblots have not only been used as a military, educational, corporate, legal and anthropological tool, but also:
- used to sell perfume
- used by political candidates to characterize themselves
- used as a central role in a movie plot
- turned into a board game, and
- imitated as modern art.
In his book, The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing, Damion Searls describes the progression that led from Rorschach’s visual work with a particular patient—”a wall painter with artistic ambitions” for whom the existing techniques of talk therapy, dream interpretation, and word association were ineffective—to the development of his famous test and the reasons it has endured for so long.
In the early twentieth century, klecksography, the art of making images from inkblots, was not only a popular parlor game—along with “readings” of patterns in tea leaves, coffee grounds, fireplace ashes and candle wax drippings—but also a method used by psychologists to measure the extent of people’s imagination, particularly children.
Rorschach—who prior to becoming a psychologist was an artist—began to show people the inkblots he created himself “in connection with research on the nature of perception, not the measuring of imagination; he was…interested in what people saw, and how, not just how much.”
Searls ultimately insists that the resilience and power of Rorschach’s unique “visual psychology” stemmed from the fact that “we evolved to be visual” and therefore, “seeing runs deeper than talking.” The visual nature of Rorschach’s test—movement, color, form—was the key that rescued it from relativist uncertainty.
“Rorschach’s fundamental insight was a visual version of Jung’s types: we all see the world in different ways. But the fact that it’s visual makes all the difference. Understanding the real inkblots and their specific visual qualities gives us a way to move beyond the relativism, at least in principle. It’s not all arbitrary: there’s something truly there that we’re all seeing in our own way. Rorschach’s insight can stand without forcing us to deny the existence of valid judgments, Truth with a capital T.”